Janek's Sound/Art/Installation & Music Resource
Some of my own thoughts...
"Music is the Architecture of Sound"
"It's only really interesting if it's also really rewarding"
"Everyone has expectations - Explore and experiment with them"
"Everything in the world has at some point made sound, or been the cause
of sound."
"It's not (just) what you do,
it's (also) the way that you do it"
"Technology is a tool, not the message"
"Limitation breeds creativity"
"Context is a key to concept"
"Think Big, pack small"
"Deadlines Rule!"
my home page : audiOh.com
MINIDISC
The only Minidisc to buy for touring is the Sony MZ-R55 by Sony. Buy it on ebay
for around £30. The smallest and last of the first generation minidisc
by Sony that has instant track access [no 2-3sec track loading delay time, during
a performance, as with all later models]. It has all the physical buttons needed
for on the spot editing, unlike via fucking 'menus' on the later models. It's
the best there is. The MZ-R30 is also amazing and the industry standard for
reporters and amateur field recordists. Totally robust, but a bit big for touring......
TOP TIP - Use the 'Repeat 1' function to make seamless
loops. Only Sony do totally perfect loops without any click or pause.... very
easy to use. I use 3 for concerts.
GO TO: http://www.minidisc.org/part_Sony_MZ-R55.html
Sony recently bought out an MD which can upload to a Mac - the MZ-M100 or the MZ-M10 may be useful ?
HAND HELD 24Bit DIGITAL RECORDER
Edirol R-09 - I bought this new version and am super impressed. Great size, great onboard mics.. great fucking everything..
[no onboard 'track mark' editing like MD's but hey we have computers for that]
6 years into the 21st century we seem to have the ideal recording device... BUY IT
Edirol R1 is one of the first generation hand held Pro/Consumer digital recorders. Does the job well if you have less cash
It's USB again so you just suck the sound straight onto your computer - marvelous :-> very worth while. bigger than iRiver but almost perfect sound with right input signal and gear.
Works brilliantly with a line level input, and that's the only way I use it [Built in mic is fairly useless, mic input is a bit noisy]
This is now my main recording unit - great for location and concert recording and everything really. I have a 2Gb compact flash card which records about 3 hours at CD quality audio.
GO TO: http://www.edirol.com/products/info/r1.html
[M-Audio Microtrack is similar but it has 2xBig jack inputs which ain't very useful for my minijack or XLR kit.]
PROFFESSIONAL STEREO LOCATION RECORDING MICROPHONE
I now use a professional XLR connection X-Y type condenser mic called the Rode NT4. MY god it is amazing. Detailed and low noise and creates a true impression of the sound source indoors and out. Good for close up and ambient recordings. As a condenser mic it is prone to wind gusts - even gentle ones so use a Rycote wind jammer. Bigger but better sound
GO TO: http://www.rode.com.au/?pagename=Products&product=NT4
RYCOTE WIND COVER
I use Rycote wInd jammers for all my mics outdoors etc. The 'RYCOTE Special 60' is a nice small one that slips over the Rode NT4, the hand held microphonemaddness mic below and my favourite is slipping it over the top of my Edirol R-09
http://www.cke.co.uk/acatalog/RYCOTE.html
MICROPHONE PRE AMP
With the Rode NT4 I use a Beachtek DXA-10 mic pre amp with stereo XLR connections. This is 9V battery supply with 48V phantom power. Totally silent.
GO TO: http://www.dvwarehouse.co.uk/products.php?cat=188
HANDY cheap LOCATION RECORDING MICROPHONE for recording sounds through the air.
I use a wonderful Microphonemadness.com preamped omni mic for location recordings, with a Rycote fluffy wind shield. It has stereo gain control knobs, 9V amplification for increased dynamic and dB tollerence, a minjack input for external mics [like a contact mic] perfect. Good ambient sound in, good stereo, and is small and light, loud signal. bit noisy but been fine for me for most spatial recordings for a few years.
GO TO: http://www.microphonemadness.com/products/mmpreamsterm.htm
CONTACT MICROPHONE for recording sounds through surfaces.... the sounds of architecture
The Schaller 'Oyster Mic' is the best and most robust contact microphone. Robert Hampson told me about it, and ever since, the World of Sound flourished in front of my ears. Records sound through the vibration of surfaces rather than air. Fantastic source material everywhere. get a good one now.. the cheap ones are not as good - feedback, and no sticky stuff etc
GO TO: http://www.touchstonetonewoods.co.uk/ttwp46.html [product code for that site 5723]
ON STAGE Vocal/Instrument MICROPHONE
I recently started to use either a BeyerDynamic M201 [industry standard] or an Audix OM3 [flatter and truer sound specification than a Sure SM57/58] dynamic microphones for using to play instruments live on stage. High gain, high anti feedback properties
GO TO: http://www.audixusa.com/products.html
GO TO: http://www.beyerdynamic.co.uk/datasheets/m201.pdf
MIXER
The only mixer to get is a Mackie 1202VLZ pro [or bigger]. Solid, agile, small,
powerful, industry standard, affordable, and an instrument itself. all their
products are amazing. [but if cost is an issue then Bheringer do decent chaep
copies to be starting with]
GO TO: http://www.mackie.com/products/1202vlzpro/
DELAY/loop PEDALS
DOD DFX 94 : 4 sec [maybe 6 sec] sample, smooth infinity and smooth pitch shifting.
My favourite and best loop pedal there is for the size and money
Digitech do the 'Digidelay' : 4 sec - still on the market: http://www.digitech.com/products/digidelay.htm not as good as the Dod but it is easily available
Boss RC-2 'Loopstation' - this is a pedal with 16 minutes
or recording time. You can layer sound on sound without loss. You can undo,
reverse mid sequesnce. Colleen uses one live at it was stunning: no pitch control
though.... and slightly awkward
to use I find
PITCH & REVERB & EQ PEDALS
Boss PS-5 : great pitch pedal
Digitech Digiverb : great reverb pedal
Boss MT-2 : great EQ pedal
Loop Pedal information/discussion website: http://www.loopers-delight.com/loop.html
MP3 PORTABLE RECORDER
iRiver make tiny 256+Mb MP3 players that can interface with a Mac OS9 & OSX via USB. It also has Line Level input for field recording. I used to use the iRiver iFP-390T for my location recordings - tiny, reliable and good enough. not really professional, but as my work and sounds get tweaked - it does the trick, and it stays in my bag without worry or weight...... replaced by the edirol R-09
GO TO: http://www.iriver.com/product/info.asp?p_name=iFP-390T
LIGHT ORGANS:
info on kits: http:
click
info on readymade light
organs: click
COMPUTER BACKUPS
The most inportant thing you own is your data... your work, your photos. your tunes.
I've had sudden motherboard and hard drive deaths
ALWAYS BACK UP - it is so easy and cheap now
Lacie do a great drive series... the ones designed by 'Porsche' are amazing
eg: LaCie 500GB Porsche P3 Firewire Hard Drive is only £100 ! no excuse
and the software then just analyses what has changed on your system, and saves it
Really fast
Fabulous info page for all sorts of opportunities - go on make a deadline and apply now... opportunities deadlines and ideas will flourish.
Mac Classic eummulator info trawled from the web
To make the transition to the MacBook Pro, I'll need to get an emulator up and running. My first thought was SheepShaver, as it emulates the PowerPC. Drawbacks are that it needs a ROM file and only supports up to Mac OS 9.0.4. I'm not sure I have an OS 9.0 CD, nor have I taken the time to find an OS 8.5 or 8.6 install CD from which I could copy the ROM image.
The other option is Mini vMac, which I've already used to emulate a Mac Plus. Not quite what I need, as the Mac Plus didn't display color.
A third alternative, which I've never tried, is Basilisk II, which can emulate a 68030-based Mac and has 256 color support.
One thing I have been able to do is use the free version of LogMeIn to connect to my Power Mac G4 from the MacBook Pro. This lets me remotely control the Power Mac - and open, edit, create, save, and upload files. It's not especially fast, as my WiFi router is 802.11g, but it works. And I could potentially log into my Power Mac from anywhere I have an Internet connection.
+
"Macbook Pro backlit keyboard is a treat in low light, although it's way too bright in the dark. (You can manually adjust it using Lab Tick by Alexander Repty, a freeware program that lets you set the keyboard illumination to any level you desire.)
A mini history of the conceptual record as art work : click
Short descriptions of different art categories: click
www.ubu.com : Wacking great info site on sound art etc with sounds and publications etc - wicked archive
http://www.chartattack.com
: Article about a UK composer being sued for using 'Cage' silence in his music!
http://www.sr.se
: Amazing idea to type in words and have them sung by famous stars
for you
http://www.databaseaudio.co.uk : Great site for online music making
toys of lots of different kinds
www.mumbleboy.com
: Mad and fun Flash animation with sounds
http://www.reverberant.com
: interface sound artworks
www.silophone.net
: Grain silos that you can upload/broadcast audio into
from the website
http://www.soundkiosk.com/
: I think a rather bizarre sound portrait maker's site
http://www.dmcworld.com/decks/ :
Online mixing decks!
www.composersdatebook.org : Modern and
Classical composers info link page
www.kunstradio.at
: Contains commissioned work by contemporary sound artists
www.discogs.com
: Usuable site for looking up info on folks
Audiohyperspace
: Recent audio (+web) art activities webzine
www.groovylab.com
: Nice MP3 web zine
www.tinfoil.com
: Ancient Wax cylinder info and recordings from 1800's
onwards
www.phonography.org
: Site dedicated to the art of field recordings
http://www.oddmusic.com
: great site for weird DIY instruments
http://www.mattheckert.com
: sound machines by Matt Heckert
http://www.the-phone-book.com
: mobile phone text art site
http://www.sonicarchitecture.com
: environmental/kintetic sound art site
www.contour.net
: Live performance archive site of real audio and real
video
http://www.abc.net.au
: DIY Australian music
http://www.showstudio.com/projects/anechoic/movies/ : The sound of clothes and a naked lady playing with them
www.sysx.org
: historical sound art links page
www.hertz-lion.com
: A great musician & festival & info link site
http://www.sounddesign
: Australian soundart community activities
www.uclm.es
: List of historical sound art exhibitions and publications
http://www.emf.org/
: Electronic Music Foundation information
http://www.kvr-vst.com/
: large archive dedicated to open source VST plugins
http://www.traxmusic.org/TraXmusic.shtml
: friend recommended computer music discussion site
http://www.sectionz.com/home.asp
: software and hardware reviews
Alvin Lucier : click The king of conceptual experimental electronics performance work. 'I am sitting in a room' is my fav sound art work
Philip Jeck : click The master man of record player manipulation with concerts and installations
MAIN: click Wonderful electro-acoustic composer known originaly for guitar manipulations
John Duncan : click Known for powerful soundscapes of radio static. One of my fav concerts ever
Martin Tetreault : click Experimental turntablist from Montreal... wickedly funny guy
Justin Bennett : click Microphone field recording collage master
David Tudor : click The prince of 60/70's experimental electronics performance work
Aube : click Japanese musician known for making composition with a specific sound source each time [like just the bible or water or ...]
Francisco Lopez : click Spanish musician who makes the audience wear blindfolds to focus on the inner quality of pure sound experience
James Turrell : click Master at using the perception of light change in architectural contexts
Gordon Matta-Clark : click Very fantastic DIY site specific installation artist using buildings and space film and photography
Semiconductor : click Favourite web design site, film, animation & music
Achim Woolscheid : click Technical site specific sound sculptor
Andy Goldsworthy : click beautiful time based site specific nature artist
Christina Kubisch : click Radio/sound transmission installation expert
Janet Cardiff : click 'Sound Walks' installation artist
Christian Marclay : click Visual artist and popular face of the 'record as artwork': history of record in art
Pierre Schaeffer : click Inventor of Musique Concrete and godfather turntable manipultion
Carsten Nicolai : click Contemporary slick digital music and sound art maker
Scanner : click Electronic musician and sound artist known for his use of found voices from mobile phones
Mark Bain : click Known for making buildings shake with resonators
John Cage : click Imaginary Landscape 1 [1939 recording ] is my fav turntable composition [apart from my own of course!]. History of 4'33
Max Eastley : click Maker of interesting instruments and improvisor since the 60's
Max Neuhaus : click Said to have invented the term 'Sound Installation'
Baschet Brothers : click French brother who made loads of cool resonant sound sculptures
Martin Arnold : click chap who plays with slice of film and sound - AMAZING WORK
Stephan Mathieu: click Divine composer
Tonne/Paul Farington: click Sound and internet interface creator - soundtoys programme
Golan Levin: click First rate interactive and online sound to image making software author.
Jonah Brucker-Cohen: click First rate online interface artist working with sound and web data for many interesting projects
Erik M : click vinyl/turntable and related aritst from France
Erik Bunger : click sound artist who created the wonderful 'let them sing it for you' project and others
David Tinapple : click video/audio/data artist
Chris Watson : click Enviromantal Sound Recordist
Charlemagne Palestine : click underground master of minimalism and a great inspiration in being free and funny
more due some day
Janek's collection selection of 'Interesting & Out There' stuff:
not sure why I started this as it would take rather a long time to write up all the good stuff out there?
Alan Lamb Primal Image [Dorobo]
telegraph wires blow in the wind. Sounds simple, but Oh
boy, in my top 10
Pierre Schaeffer L'Oeuvre Musical [INA GRM] complete
3 CD set of earlyconcrete work
Harry Bertoia Sonambient
[PSF] wonderful fluid sounds of vibrating metal sound
sculpture
Alvin Lucier I am sitting in a room [Lovely Music
1013] full 45 min version of classic work
Xenakis Electronic
Music [INA/GRM] classic absrtact early electronic compositions
John Cage 25 year
retrospective concert 1958 [Wergo] 3cd set contains the
only cage track I really enjoy,
imaginary landscape 1
David Tudor Rainforest
[Mode] amplified stage full of sound routed into resonant
objects, wonderful
Stephan McGreevy
Auroral Chorus II Natural VLF radio recordings
from the magnetosphere
Futurism & Dada reviewed [Sub
Rosa] classic collection of dada audio
Francisco Lopez Buildings,
New York [V2_Archeif] collage of recordings from the depths
of the World Trade centre
Philip Jeck
Loopholes [Touch] my favourite
Jeck cd as the tracks were made as tracks rather than bits of live recordings
Chris Watson Stepping
into the dark [Touch] field recordings trying to capture
the spirit of outside non human places
Disinformation
R&D2 [Ash] recordings of radio and
electricty in various forms
Aube Mort aux Vaches
[Staalplaat] long piece sourced from manipulated sounds
of metal
Semiconductor Films Hi-Fi
Rise [Other timeline films] fab sound and video work on
CD rom, wicked
Christian Marclay More
Encores [ReR] Records [Atavistic] vinyl collage
Trevor Wishart and Friends Menagerie
[Paradigm] collection of curious
collage music by compilation of friends
Stockhausen Helikopter-Quartett
[WDR/Montaigne] string quartet play while in 4 helicopters
above the audience
Michael Nyman Decay Music [Virgin] Chords are played each after the one before is decayed away 100 times - overdubbed 4 times and slowed down. Top 10
many many more................................................................................................................................................ maybe one day
Janek's Library: a small selection..still need to do more updates as with everythingon this page
'Audio Culture' THIS IS A MUST for anyone into finding out
all about interesting sound/art and music.
Lots of texts by key figures from the 20th Century. It's the first book you
shluld read ESSENTIAL stuff in one well presented spot.
edited by Christophe Cox and Daniel Warner (continuum) ISBN 0-8264-1615-2...
more
info here
'Sound Art' Alan Licht [Rizzoli]
'The Fundamentals of Sonic Art and Sound Design' Tony Gibbs [AVA/Academia]
Acoustics of Buildings The Davis A.H. (Bell)
Architectonic Space Van Der
Laan, D.H. (E.J.Brill)
Architecture and Disjunction Tschumi,
B. (M.I.T.)
The Concept of Music R, Smith
Brindle (Oxford Press) ISBN 0-19-816388-6
The New Music R.Maconie, (Oxford Press)
ISBN 0-19-315468-4 Avant Garde music composition
since 1945
Experimental Music Michael
Nyman (Cambridge Press) ISBN 0-521-65383-5 Written
in 1972 a classic text on the emergence of 'interesting' music & pictures
:->
American Minimal Music Wim
Mertens (Kahn&Averill) ISBN1-871082-00-5 Very
accessible chapters on the key composers
Conversing with Cage R.Kostelantz,(Omnibus)
Audio F.A.Wilson (B,Babani,
1990) ISBN 0-85934-086-4 Technical book about the mechanics/physics
of audio production. Good for how things work
Experiencing Architecture S.E.
Rasmussen, (M.I.T.)
Images of Place Goodey, B.
(Birmingham University)
Man’s Perception of Man-Made Environment
Hesselgren, S. (D.H.R.press)
Music, Sound, and Sensation Winckel,
F. (Dover) ISBN 0-486-21764-7
On Sonic Art T. Wishart,
(Imagineering Press)
Perception Hochberg, J.E.
(Prentice Hall)
The Senses as Perceived as Perceptual Systems
Gibson, J.J. (Unwin)
The Soundscape: Tuning of the World
R. Murray Schafer, ISBN
089281455-1 Classic book on general ideas, classifaction
and function of sound (Destiny Books 1994)
Under the Jaguar Sun Calvino,
I. (Vintage) little stories about sound
Wireless Imagination D.Kahn,
G.Whitehead, (M.I.T. Press) ISBN 0-262-11168-3 Collection
of essays on sound, radio and the avant garde [no pictures :-<]
Installation Art Art &
Design A journal of widespread ideas
Rain Sun Snow Hail Mist Calm Goldsworthy,
A. 1985
Installation Art Archer,
M. 1994
Gordon Matta-Clark Serpentine.
1993
House Rachael Whitread (Phaidon)
ISBN 0-7148-3459-9 Wonderful book documenting
the rise and fall of a terraced house casting
Christo M. Vaisey, (Academy
Editions) ISBN 1-85490-101-X Nice big pictures of nice
big wrap up art
James Turrell South Bank.
1993
De-Architecture Wines, J.
1987
Plunderphonics, Pataphysics & Pop Mechanics
Jones, A. (SAF Publishing) ISBN 0-946719-15-2
Noise Map Justin
Bennett. [Spore Records] ISBN 90-808081-1-3 Journal
book with text and drawings on installations connected with field recordings
Les Sculptures Sonores [Baschet
brothers] F, Baschet (Soundworld 1999) ISBN 1-902440-02-1
Achim Wollscheid, Selected Works (Selektion]
ISBN 3-943801-01-3
Auto Pilot Carsten
Nicolai, (Raster-noton) ISBN
3-931126-80-3 Contemporary slick book
on sounds and installations relating to the science of sound
Frequencies [Hz] [Schirn]
ISBN3-7757-1154-6 Book about large audio visual exhibition
February 2002, Schirn Kunsthalle, Frankfurt, Germany
Recommendations from others:
Janek I can't say enough about the books on errant
bodies. my favorite sound lit publishing house. http://www.errantbodies.org
Sound:Space by (and about) Bernhard Leitner,
published by Cantz with plenty of interviews and text about Leitner's work.
Janet Cardiff There's a very large monograph
on Janet Cardiff that was published by P.S.1. in New York. It includes a CD
as well.
Amplitude of Chance: the Horizon of Occourances
book and DVD catalog to a gallery show of sound installations at Kawasaki City
Museum in Japan. The DVD has virtual walk-through of the installations by Jio
Shimizu, Achim Wollschied, Minoru Sato, Roel Meelkop, Toshiya Tsunoda... . It
also includes six essays
about sound installation, and an overview of the show by Sato. The book itself
is fantastic-looking!
Book for the Unstable Media Alex Adriaanses
et al. (eds). The Hague: V2,1992.
Voice Over: Sound and Vision in Current Art
London: Hayward gallery, 1998.
Radio Rethink: Art, Sound & Transmission
Daina Augaitis and Dan Lander (eds.). . Walter Phillips Gallery, 1994.
Breaking the Sound Barrier: A Critical Anthology of
the New Music Gregory Battcock (ed.) New York: E.P. Dutton, 1981.
Broken Music: Artists’ Recordworks
Block, Ursula and Michael Glasmeier (eds.). . Berlin: DAAD, 1989.
Surface Tension : Problematics of Site Ken
Ehrlich & Brandon LaBelle (eds.) Los Angeles: Errant Bodies Press, 2003.
Franck, Philippe (ed.). Musiques Nouvelles : Sons en
mutation. Bruxelles: La lettre volée, 2003.
Grundmann, Heidi (ed.). Sound Drifting.
Vienna: Triton Verlag, 2000.
Hatanaka, Minoru and Takeo Nozaki (curators). Sound
Art—Sound as Media. Tokyo: NTT, 2000.
Hess, Felix. Light as Air. Heidelberg: Kehrer,
2001.
Kahn, Douglas. Noise Water Meat: A History of Sound
in the Arts. MIT Press,1999.
Kittler, Friedrich A. Gramophone, Film, Typewriter.
Trans. Geoggrey Winthrop-Young and Michael Wutz. Stanford University Press,
1999 [1986].
Kostelanetz, Richard (ed.). TEXT-SOUND TEXTS.
New York: William Morrow, 1980,
Kruth, Patricia and Henry Stobart (eds.). Sound.
Cambridge University Press, 2000.
LaBelle, Brandon & Steve Roden (eds.). Site of
Sound: Of Architecture and the Ear. Los Angeles: Errant Bodies Press,
1999.
LaBelle, Brandon & Christof Migone (eds.). Writing
Aloud: The Sonics of Language. Los Angeles: Errant Bodies Press,
2001.
Lander, Dan and Micah Lexier. Sound by Artists.
Toronto: Art Metroploe, 1990.
Lucier, Alvin. Reflections. Köln: MusikTexte,
1995.
Marchetti, Lionel. La musique concrète de Michel
Chion. Metamkine, 1998.
Marchetti, Walter. Walter Marchetti. Morris
and Helen Belkin Art Gallery University of British Columbia, Vancouver, 1999.
Morris, Adalaide, ed. States: Innovative Poetics and
Acoustical Technologies. University of North Carolina Press, 1997.
Neuhaus, Max. Drawings: sound works vol. II.
& Place: sound works vol. III. Cantz
Verlag, 1994.
Newman, Hayley. Performancemania. London:
Matt’s Gallery, 2001.
Nyman, Michael. Experimental Music: Cage and Beyond.
Cambridge University Press, 1999 [1974].
Pagé, Suzanne et al. (curators). Écouter
par les yeux: objets et environments sonores. Musée d’Art
Moderne de la Ville de Paris, 1980.
Phillips, Christopher (curator). Voices Voces Voix.
Le Fresnoy, 2000.
Snow, Michael. Music/Sound. Art Gallery
of Ontario/The Power Plant.
Strauss, Neil, ed. Radiotext(e). New York:
Semiotext(e), 1993.
van Assche, Christine, ed. Sonic Process:
une nouvelle géographie des sons. Éditions du Centre Pompidou,
2002.
van Peer, René. Interviews with Sound Artists.
Eindhoven: Het Appollohuis, 1993.
Weiss, Allen S. Breathless : Sound Recording, Disembodiment,
and The Transformation of Lyrical Nostalgia. Wesleyan, 2002.
Weiss, Allen (ed.). Experimental Sound & Radio.
NYU & MIT, 2001. (previously published as issue of The Drama Review TDR
Fall 1996 T151).
Weiss, Allen. Phantasmic Radio. Duke University
Press, 1995.
Williamson, Aaron. Hearing things. London:
Book Works, 2001.
Xenakis, Iannis. Musique Architecture. Casterman,
1976.
Xenakis, Iannis. Les polytopes. Balland,
1975.
Artangel
: Simply the best site
specific commissioning organisation there is
Diapason Gallery :
New Yorks first gallery dedicated to Sound Art
Invisiblecities
: exhibition using location recording from around
the world heard on headphones plugged into map
Sonic
Boom : redited as first large scale sound
art exhibition in the UK, held at Hayward Gallery
Sonic
Process : Pompidou Centre touring exhibition
of sound art
Matts
Gallery : puts on shows with sound sometimes
Frequencies
[Hz] : February 2002, Schirn Kunsthalle,
Frankfurt, Germany.
66 East gallery
:
Gallery with a focus on sound art in Amsterdam
CCA - Contemporary Centre for Art : Glasgow gallery with focus on sound
Ensemble : Sound Art show curated by Christian Marclay in Pennsylvania
any recommendations welcome
'Play time' Jaques Tati wry look at the 60's modernist world though visual and sound humour... silent slamming doors etc.. top 5 film for me.
'Brighton Rock' - 'I Love You' misleading stuck record at the end of film
'Man Bits Dog' - sound man character with microphone approaches camera image with talking
voice in factory scene which is integral to plot
'Forbidden Planet' - just a wonderful 1950's original self-made electronics
soundtrack by Luis and Bebe Barron
'Der Lauf der Dinge' Video by Peter Fischli/David Weiss - Live chain
reaction of objects falling into each other in creative ways with sound
'Alone, Life Wastes Andy Hardy' part of ana amazing body of work using
rhythmic editing of a short piece of film to reveal many new and wonderful stories.
Recontextualising Hollywood..... by Martin Arnold buy it from http://www.index-dvd.at/en/program/018/index.html
audiOh! Links
Schaller Oyster contact mic: click
Stereo Omni pre amped mic I use: click
Light Organs:
info on kits: http: click
info on ready made: click
Mego Shop: M.dos: click
Forced Exposure: click
Rough Trade: click
Staalplaat: click
These: click
audiOh! Kiosk: click
Schizophrenic Records: click
Small Fish: click
Music Stack - Worldwide specialist music store : Search 14 Million Rare Music CDs and Vinyl Records at MusicStack
Easybe 1-2-3 music download store - let people download your music for money!: click
Branson Coates: click
de Rijke Marsh Morgan: click
OMA/Rem Koolhaas: click
Tadao Ando: click
Urban Salon: click
Zaha Hadid: click
Digital cheap online photo printers click
Digital cheap postcard etc from films click
My Top 10 chart for Dusted.com click
BBC Radio interview at Sonar 2002 click
Invisible Cities : Exhibition in Belfast: click
WNYC New York Radio interview: click then scroll down to 08.17.02 'Vinyl'
M-Station interview: click
Guardian 'CD of the Week': click
Friend of the Devil interview: click
Carola Mag interview: click
Chicago Tribune Review: click
Turntablist article: click
Audi-Oh Vibrator, I kid you not: click
Vectorpark: click
The World's Smallest Record Player: click
www.mumbleboy.com : Mad and fun Flash animation with sounds
Amazing tour through the ghost town of Chernobyl click
Andersen, N. A., N. A. i. i. N. Andersen, et al. (1986). "Phonic sculpture: mechanically actuated musical instruments in a sculptural
context." Leonardo 19(2): 99-106.
Assche, C. v., D. i. B. Gordon, et al. (2000). "Douglas Gordon: a new generation of readymades." Art Press(255): 27-32.
Attali. J. (1985). Noise - The Political Economy of Music, University of Minnesota Press.
Augaitis, D. L., Dan (Ed) (1994). Radio rethink: art, sound and transmission - selected survey of radio art in Canada, 1967-1992.
Banff, Alberta:, Walter Phillips Gallery, Banff Centre.
Backlund, N. (1989). "Sounds like fun." ID 36: 85.
Bandt, R. (1985). Sounds in Space, Wind Chimes and Sound Sculptures, Victorian Arts Council, Australia.
Bandt, R. (1995). "Sculpting sounds: an introduction to sound sculpture in Australia." Art and Australia 32: 536-47.
Bandt, R. (2000). "Sounding spaces, acoustic world: Australian sound designs." Public Art Review 11(2): 23-6.
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www.pbs.org quote - "Installation : A work of art created for a specific architectural situation, installations often engage multiple senses such as sight, smell and hearing. Installations are generally temporary and stationary... " hmm.... is that right anymore?
sound = an audible vibration, i.e., any vibration that is capable of being heard, whether or not it actually is.